1. Paper. Account & Lists Account Returns & Orders. The Award was established in honor of JAGDA’s first president, Yusaku Kamekura (1915–1997). After this project, Kamekura would continue his career focusing mostly on poster design. “Yusaku Kamekura.” ADC • Global Awards & Club, 1993, adcglobal.org/hall-of-fame/yusaku-kamekura/.https://collection.maas.museum/object/349928, “社団法人 日本グラフィックデザイナー協会 JAGDA.” JAGDA：About JAGDA, www.jagda.or.jp/en/about/.https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, https://www.famouslogos.net/yusaku-kamekura/. Graduated from Nihon University Junior High School in 1933. Kamekura had organized a wide, open gallery of works from prominent designers from all over the world including Paul Rand. 1st US Edition. See all formats and editions Hide other formats and editions. by Yusaku Kamekura (Editor) 5.0 out of 5 stars 3 ratings. Kamekura was trained at the Institute of New Architecture and Industrial Arts (Shin Kenchiku Kogei Gakui), which was unique at the time due to it being a school built by a Japanese man, Ranahichiro Kawakita, and being heavily influenced by Bauhaus works. Follow. Follow. 2. More about him: yusakukamekura.blogspot.com/ Tokyo 1964 Tokyo: Bijutsu Shuppan-Sha, 1971. Perhaps most well known for his work for the Tokyo 1964 Olympics, he combined modernist principles and typography with the Japanese cultural heritage through the simplistic combination of the words "Tokyo 1964", the olympic rings and the sun from the Japanese flags. Green cloth stamped in pink. The symbol and poster designs for the 1964 Tokyo Olympics were Kamekura’s best-known work. Bio Japanese, 1915–1997. 40 is an out-of-print and rare issue of a slim 54pp Japanese magazine from the 60s dedicated to all things design. Uncompromising perfectionist, visionary and the profession's first undisputed leader, Yusaku Kamekura worked all his life to shape it. How I stumbled across a niche hobby I never knew existed: Drawing (and animating) in CSS. Permanent collection Paul Rand: His Work from 1946 to 1958, 1959. When he designed the famous Hiroshima Appeals poster of 1983, Kamekura explained his thought process behind the peace poster: “skeletons and nuclear mushroom clouds are beautiful and frightening. Followers 17. Here is a collection of posters by the father of Japanese graphic design, Yusaku Kamekura. The year’s most outstanding work is selected from all designs included in the yearbook, regardless of the designer’s age or career background. This might be because of his goal of bridging the … Kelly, William W., and Susan Brownell. Japan’s economy was focused very heavily on exports and people are more inclined to purchase things with good design. Hello, Sign in. Kamekura picked the only one that had the power of an Olympic poster until 80 exposures were taken at 1/1000th of a second. Kamekura is best know for his graphic work for the Tokyo Olympic Games in 1964. Persuaded by journalists Matsuo Suzuki and Masataka Ogawa, Kamekura then co-founded Nippon Design Center with Ryuici Yamashiro and Hiromu Hara in the 1960s. Title Personal Work Client Personal Work. Paul Rand: His Work From 1946 To 1958 By Yusaku Kamekura: $500. I thought of burning butterflies.”. It had successfully shaped the brand identity for companies such as Toyota, Nikkon, and Asashi. Kamekura a First published in 1975, the slim paperback is the result of an offbeat collecting quest done by Japanese designer Yusaku Kamekura (1915-1997). It was surely created with his determination of pursuing the best of all. Born in 1915, Yusaku Kamekura grew up in Niigata Prefecture, northwest of Tokyo on the Sea of Japan. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab His designs find a synthesis between the rational, logical and functional creative systems of the west and the classical grace of traditional Japanese design. following. One of these contributions was the development of graphic design as a mainstream form of design in Japan. His posters often kept the traditional Japanese motifs and forms, but at the same time mixed with an internationally recognized use of image and concept, as he has once said that “we are responsible for first dissolving our traditions and then creating them anew.” When he worked for Nippon Kogaku(Nikon Cameras), his asymmetrical, flat, and simple posters with international style were widely used for Nikon’s advertisements. An Inscribed Copy in Slipcase.” Modernism101.Com, 16 June 2015, modernism101.com/products-page/graphic-design/kamekura-yusaku-yusaku-kamekura-his-works-tokyo-bijutsu-shuppan-sha-1971-an-inscribed-copy-in-slipcase/#.WsZFcIjwaHv. Page 1 of 1. After the war, Kamekura began his professional design career and moved into the field of corporate symbols and posters. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. Yusaku Kamekura, born in 1915, played an important role in shaping the modern graphic design of Japan. From Rago/Wright, Yusaku Kamekura, Paul Rand: His Work from 1946 to 1958 (1959), Printed paper, 10 × 10 1/4 in A subjective history of graphic design (not necessarily the canon and certainly not in chronological order) by NCSU students for GD203 Graphic Design History course, http://brainmag.sendenkaigi.com/post/126991609085/power-of-design-yusaku-kamekura-demonstrated-at, http://www.designishistory.com/1960/yusaku-kamekura/, https://collection.maas.museum/object/349928, https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, Lester Beall- Posters for the Rural Electrification Administration, Who’s Who in Graphic Design- Lester Beall. Rewarded as Japan’s most important designer of the 20th century, Yusaku Kamekura was inducted in Hall of Fame of both NY ADC and Tokyo ADC in 1993. As a person, Kamekura always loved fine things no matter if they are people or objects. Yusaku Kamekura, born April 16, 1915, was a prominent designer of the post-war period. Free shipping for many products! Yusaku Kamekura Few designers achieve more than a half century of professional longevity—let alone continue in that time to find new solutions and challenges in their work. Skip to end of content Nikon SP, 1957. Before Japan opened to the western culture and adopted the western political and social structure, the nation was dominated by traditional fine art which was mainly used for decoration. 40 1/2x28 1/2 inches, 103x72 1/2 cm. As he displayed those boxes on the shelf, he felt “as though a fresh air of civilization and culture was suddenly filling my room. by Yusaku Kamekura (Editor) 5.0 out of 5 stars 3 ratings. As Japan’s economy grew, so did their need for excellent branding and packaging designers. “He taught me how to see.” As the godfather of Japanese graphic art, he had inspired a lot of well-known designers such as Ikko Tanaka, Kazumasa Nagai, Akira Uno, Tadanori Yokko, Toshihiro Katayama, Tsunehisa Kimura, Seiji Shirai, and Kuniomi Uematsu. He spent five years collecting 700 logos from across the world for his book Trademarks of the World, which was a standard book for the period published in 1956. Page 1 of 1. This is one of many other reasons Kamekura was portrayed as the “father of Japanese graphic design.” He set out to introduce these concepts to the Japanese people, but he also went out of his way to create opportunities for more Japanese designers to emerge onto the quickly growing field. Living in this post-war age, Kamekura regarded the western culture as civilization and freshness. Here, he learned much more about constructivism and Bauhaus directly and various methods of incorporating traditional Japanese themes into this distinctly western art style. Kamekura valued fair-play, and recognized the talent in a young designers at first glance. Text by Yusaku Kamekura, 1962 Design 11 No. Kamekura was born into a world at war, right in the middle of WWI. When world war II ended in 1945, Japan’s crushing defeat brought millions of its citizens to the brink of starvation, suffering, and labor unrest. Find many great new & used options and get the best deals for Paul Rand: His Work from 1946 to 1958 by Yusaku Kamekura at the best online prices at eBay! At that time, he thought that trademarks from Europe and America not only promoted products but also enhanced their appearance. 3. 9.75"x 10.25" Some water staining present, condition noted Yusaku Kamekura Alfred A. Knopf 1959 Paul Rand: His Work From 1946 To 1958 By Yusaku Kamekura: $500. Hehad founded multiple design organizations, introduced modern design styles into Japanese traditional art, and inspired a great number of famous designers in the post war age including Ikko Tanaka and Kazumasa Nagai. In 1962, he set up his own practice and established Kamekura Design Office. Yusaku Kamekura (1915-1997) was one of the pioneers of Japanese graphic design who was at the forefront in promoting graphic design as an essential factor of modern society, culture and art, and whose achievements helped to establish the reputation of Japanese graphic design internationally. Yusaku Kamekura Design Award Awarded to the year's most outstanding work and its creator. Yusaku Kamekura Few designers achieve more than a half century of professional longevity—let alone continue in that time to find new solutions and challenges in their work. He tried to bring in this new concept of graphic design into the nation and propel the design industry in Japan. Kamekura was a firm believer of only doing work for companies that he 100% agreed with, in a business sense as well as their ethics. Kamekura’s use of photography here was also a huge step in design everywhere because it was the first Olympic series branding to include real photographs instead of detailed illustrations. Sell art from your collection. To promote the standard of design in Japan, Kamekura had founded multiple design organizations throughout the course of his life. His work began to document the international event that Japan participated and the progress that Japan was making after the war. Kamekura is perhaps most well known for his work for the Tokyo 1964 Olympics, as he combined modernist principles and typography with Japanese cultural heritage. I wondered what I could make that had those qualities, but that you could also hang in a room. There are 6,128 graphic design works online. He viewed western logo design and branding styles as iconic, memorable and timeless, which the Japanese, at the time, were only imitating. Kamekura sought to bring Japanese graphic design to the international scene with his unique blend of Bauhaus-influenced design mixed with traditional Japanese themes and aesthetics. His career would eventually lead him to work on the branding for Nikon (Nippon Kogaku). He was eager to make impact with his design and communicate information with a sensitivity. He studied at Shin Kenchiku Kogei Gakui, which was known as the Japanese Bauhaus-oriented Institute. They were simple, yet powerful and clean-cut. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Price New from Used from Hardcover "Please retry" $99.99 — $99.99: Hardcover $99.99 3 Used from $99.99 1 Collectible from $300.00 The Amazon Book Review Book recommendations, author interviews, editors' picks, and more. Please note: Content of biography … See all formats and editions Hide other formats and editions. Yusaku Kamekura. Kamekura went on to establish the Japanese Advertising Artist’s Club (JAAC) in 1951. The Palace Thief - Signed By Ethan Canin - First Edition Hardcover. In 1955, he organized and took part in the graphic ’55 poster exhibition with designers including Paul Rand, introducing the word design to the populace. W/ publisher's original glassine over jacket & cardboard slipcase. Text by Yusaku Kamekura, 1962 Design 11 No. While Kamekura was successfully expanding his personal design career, he had always been trying to consolidate the role of graphic design in Japan and cultivate more talented young designers in the community. Notable Works. When he was seventeen, he took his first assignment when he designed the Japanese edition of Antoine de Saint-Exupery’s Night Flight, and he knew that he wanted to become a graphic designer. Idea Magazine, issue #25, 1957 Issue devoted entirely to the Japan Advertising Artists Club winning work from 1957, and an overview of work from 1953 to 1956. His work would go to not only define Japan’s post-war, but also the general aesthetic as well as the ideals of the time. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. This poster was a marvel of implied texture, strong geometric forms and dynamic uses of color. This might have influenced him a bit when he was approached about 2 years later to work on some branding aspects for the upcoming Olympics ceremony in Tokyo. Text in English and Japanese. 120 In 1993 he established Creation magazine which he served as the lead art director for until the end of his life in 1997. Permanent collection Paul Rand: His Work from 1946 to 1958, 1959. Title Personal Work Client Personal Work. His effort to introduce these new trends to the Japanese didn’t just stop at the work that he produce. People in Japan began to shift their emphasis from traditional fine art to applied art like graphic design. On the contrast, the trademarks in Japan only followed the fashion but were not able to become classic and everlasting. From 1978 to 1984, he devoted himself to the organization’s expansion, improvement and legal incorporation. Kamekura had a brief stint as a logo and corporate branding designer following his time with Nikon. The year’s most outstanding work is selected from all designs included in the yearbook, regardless of the designer’s age or career background. Personal Work. View Yusaku Kamekura’s artworks on artnet. Overview. Alongside these advertisements, he worked on the team behind Nippon Camera magazine, which was a photography magazine that took traditional Japanese symbols and forms and blended them with the design trends of the time. His trademarks and symbols were usually contributed with abstract, bold, and geometric forms. View all works. In 1978, Kamekura founded JAGDA(Japan Graphic Designes Association) to bring together professional designers with talent and served as first president. Skip to end of content Nikon SP, 1957. View Yusaku Kamekura’s artworks on artnet. Devising the look of Tokyo ’64 fell to Yusaku Kamekura, the dean of Japanese graphic designers, who had imbibed modern design from the Bauhaus-trained professors of … “Graphis.” Yusaku Kamekura – Portfolio – Graphis, www.graphis.com/master-portfolio-slideshow/yusaku-kamekura/design/#1.http://brainmag.sendenkaigi.com/post/126991609085/power-of-design-yusaku-kamekura-demonstrated-at, “History | Nippon Design Center.” Nippon Design Center, Inc., www.ndc.co.jp/en/about/history/.http://www.designishistory.com/1960/yusaku-kamekura/. Yusaku Kamekura’s design for the Olympic poster conveyed Tokyo’s ambitions: the five interlocking rings, topped by a huge red disc, the rising sun. He also traveled to New York to participate in the 1958 International Design Conference, and brought back bold, full page newspaper advertisement with American modern typography unlike any produced in Japan. Find many great new & used options and get the best deals for Paul Rand: His Work from 1946 to 1958 by Yusaku Kamekura at the best online prices at eBay! He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. As design was essential in supporting the expansion of commercial market, Kamekura also pursued the path of trademark, signs, and corporate symbols. Account & Lists Account Returns & Orders. View all works. There are 6,128 graphic design works online. The selection and administration of the prize is overseen by the Japan Graphic Designers Association (JAGDA). Biography/Work Experience (1915 - 1997) Yusaku Kamekura studied principles of constructivism at the Institute of New Architecture and Industrial Arts, Tokyo, a private institute established and run by Renshichiro Kawakita with the aim of introducing Bauhaus design theories in Japan. There are 10,231 design works online. Believing that trademarks and symbols represented the public image of companies, Kamekura himself explored a lot of details in the field of trademarks design. In 1978 he was also responsible for founding the Japan Graphic Designers Association (JAGDA) and served as president in an effort to bring many of Japan’s prominent designers together. Once when he visited New York for the International Design Conference, he recalled a story of him brought home the boxes decorated with abstract design that Americans soldiers left at the station right after the war. As a designer, he was focused, positive, openhearted and always motivated. He combined international style of design and traditional Japanese art, and had created posters, corporate symbols, trademarks, and book covers that were still world-known today. Kamekura would continue his efforts of improving the standards of what Japanese graphic design is through JAGDA for many years of his later life. Two years after his first one-man show, he organized the famed Graphic '55 exhibition at the Takashimaya department store, introducing design into the vocabulary of the populace. Cart Tokyo & New York: Zokeisha & Alfred A. Knopf, 1959. At this point, he was now an international designer that was not only pushing the Japanese ideals of graphic design but creating them. Junior High School in 1933 his next standout performance was definitely his work yusaku kamekura work in his teaching, _____ both... For several months this year shaped the brand identity for companies such as Toyota, Nikkon, and the of. 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